Alyscia Cunningham is a multifaceted award- winning author, filmmaker, tactile artist, and photographer with contributions to the Smithsonian, National Geographic, Discovery Channel, and AOL. Rooted in her identity as a first-generation Trinidadian American, Alyscia’s early fascination with storytelling was sparked by the tales of resilience, folklore, and life lessons shared by her Caribbean elders. These narratives of triumph over adversity and cultural heritage fuel her creative passion, driving her work in both documentary and narrative filmmaking. At the heart of her artistic journey is a deep commitment to making a significant impact through her documentaries and horror films, which is a testament to her passion for storytelling that enlightens, challenges, and inspires.
To learn more, visit Alyscia.com
Tell us about your experience at the Hip Hop Film Festival. This was the first year I attended HHFF. It was also the first screening of my film NEGRO MOUNTAIN. The networking, film screenings, and sessions were phenomenal. I made lifelong connections and was treated with so much care by the staff. HHF is now one of my top 3 film festivals. I will be back.
Why are “stories from the culture” worthy of a platform? Stories from the culture are worthy of a platform because they carry the essence of our collective experiences, histories, and identities. They offer a voice to the often unheard and unseen, shedding light on the richness, resilience, and diversity within our communities. These stories challenge stereotypes, spark important conversations, and inspire change by allowing us to see ourselves and our realities reflected on screen. This is also what I did in NEGRO MOUNTAIN. My goal was not only to entertain but also create an impact and awareness.
Why do you think the Harlem Film House and Hip Hop Film Festival are important? The Harlem Film House and Hip Hop Film Festival are important because they provide a dedicated platform for underrepresented voices in the film industry, particularly those rooted in the culture of Hip Hop and the broader Black experience. These spaces empower filmmakers, writers, and directors to tell authentic stories that resonate with our communities. By championing these narratives, the Harlem Film House and Hip Hop Film Festival not only preserve and promote cultural heritage but also foster a sense of pride and ownership. They play a crucial role in pushing the boundaries of mainstream media, ensuring that diverse stories have the visibility and recognition they deserve.
What projects are you working on now? I'm currently preparing for the production of my next short film, DOUEN II, which begins next month in September. This film is a continuation of my exploration of Caribbean folklore, focusing on the mysterious Douen, a creature from Trinidad and Tobago’s folklore. I'm excited to work with my team to bring this haunting tale to life, and to delve deeper into themes of cultural heritage and supernatural suspense.
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